Originally published in 1939, this book was intended as a guide to political theory intelligible to the common reader, with quotations from the original sources sufficiently extensive to enable them to sample for themselves the 'taste' and 'colour' of these writings. This history of theory has been placed against brief descriptions, as background, of the civilization of the times, as the reader passes down the avenues of thought from age to age. It is a history of political thought set against the background of the history of civilization, but that thought is also displayed in the setting of the characteristics and biographies of the thinkers, whose minds we search and whom we seek to know familiarly, however long ago gone to dust.

Originally published in 1938, this book consists of a group of papers considering widely different subjects, but all bearing upon one social problem - the causation and prevention of war. The authors all occupy the same general political position, they are democratic socialists and active members of the Labour Party. The book falls into three rough divisions, although all the papers are self-contained. The first part of the book is psychological and attempts to summarise and analyse the non-historical evidence (ecological, psychological, and anthropological) about the causes of fighting. The second part is historical. It surveys the different causes of international war in the nineteenth century and then discusses the relation between nationalism and capitalism during the same period. The third part is political and first considers the relation of the use of force to the preservation of peace. Then analyses the choices of foreign policy for a pacific power confronted by the threat of aggressive military dictatorship. It concludes with a review and assessment of the various available policies for the prevention of war in general and under the specific contemporary conditions of the time.

Originally published in 1939, this book was intended as a guide to political theory intelligible to the common reader, with quotations from the original sources sufficiently extensive to enable them to sample for themselves the 'taste' and 'colour' of these writings. This history of theory has been placed against brief descriptions, as background, of the civilization of the times, as the reader passes down the avenues of thought from age to age. It is a history of political thought set against the background of the history of civilization, but that thought is also displayed in the setting of the characteristics and biographies of the thinkers, whose minds we search and whom we seek to know familiarly, however long ago gone to dust.

Although he is best known for his paintings of Native Americans, George Catlin (1796 1872) also wrote books about his experiences among the indigenous peoples of the United States. During the 1830s he travelled widely in the western frontier regions with the aim of documenting the vanishing cultures of the Indians, and managed to meet 48 groups. This was a critical time for Native Americans, as US government policies were forcing many tribes off their ancestral land and onto reservations west of the Mississippi River. Catlin's two-volume work, published in 1841, is a compilation of his letters and field notes, and includes over 300 drawings of people, artefacts and animals. Catlin, following the Romantic tradition, expresses admiration for the 'honest and honourable' Indians, and disgust at 'civilised man' having made them 'victims to whiskey, the small-pox and the bayonet'. Volume 2 focuses on tribes in Arkansas, Texas and Florida.

Originally published in 1938, this book consists of a group of papers considering widely different subjects, but all bearing upon one social problem - the causation and prevention of war. The authors all occupy the same general political position, they are democratic socialists and active members of the Labour Party. The book falls into three rough divisions, although all the papers are self-contained. The first part of the book is psychological and attempts to summarise and analyse the non-historical evidence (ecological, psychological, and anthropological) about the causes of fighting. The second part is historical. It surveys the different causes of international war in the nineteenth century and then discusses the relation between nationalism and capitalism during the same period. The third part is political and first considers the relation of the use of force to the preservation of peace. Then analyses the choices of foreign policy for a pacific power confronted by the threat of aggressive military dictatorship. It concludes with a review and assessment of the various available policies for the prevention of war in general and under the specific contemporary conditions of the time.

The American artist George Catlin (1796 1872) was fascinated by the indigenous peoples of North and South America. Spending many years travelling and living among different tribes, he felt compelled by a desire to rescue from destruction 'the looks and customs of the vanishing races of native man in America'. Famed for his paintings of Native Americans, he also wrote a number of books. In the present work, first published in 1861, Catlin recounts his childhood in Pennsylvania, where he witnessed hostilities between settlers and the indigenous people. He also covers his later travels through the Americas and his time in Europe, where he introduced visiting Native Americans to English and French royalty. Although intended for children, his illustrated stories make lively and compelling reading for all ages. Catlin's 1868 follow-up, Last Rambles Amongst the Indians of the Rocky Mountains and the Andes, is also reissued in this series."

The American artist George Catlin (1796-1872) was fascinated by the indigenous people of his homeland and spent many years living among them, painting them, and collecting their artefacts. In 1839 he took his vast collection to Europe to exhibit it, and he also toured with groups of visiting Native Americans. This illustrated two-volume account of his experiences was published in 1848. Volume 1 begins with Catlin's voyage to England across the Atlantic, for which he embarked with eight tons of freight. He goes on to discuss such events as introducing a group of Native Americans to Queen Victoria. He also includes, in the appendices, press reviews of the exhibition and a catalogue of his collection. Catlin's earlier account, Letters and Notes on the Manners, Customs, and Condition of the North American Indians (1841), is also reissued in this series, along with two later books for children about life among various tribes.

The American artist George Catlin (1796-1872) was fascinated by the indigenous people of his homeland and spent many years living among them, painting them, and collecting their artefacts. In 1839 he took his vast collection to Europe to exhibit it, and he also toured with groups of visiting Native Americans. This illustrated two-volume account of his experiences was published in 1848. In Volume 2, Catlin discusses his travels with visiting Native Americans to Dublin, and later Paris, where he staged another exhibition and met King Louis Philippe. The final chapter recounts Catlin's attempt to sell his entire collection to the United States government to preserve 'all the records of this dying race'. His earlier account, Letters and Notes on the Manners, Customs, and Condition of the North American Indians (1841), is also reissued in this series, along with two later books for children about life among various tribes.

The American artist George Catlin (1796 1872) travelled extensively and wrote about his experiences. After abandoning the legal profession, Catlin moved to Missouri in 1830 to launch his career as a painter of Native Americans with the express purpose of creating a gallery dedicated to America's indigenous population. He was greatly influenced by the Romantic ideal of the 'noble savage' and spent time living with various tribes, recording their everyday life and habits. In the 1850s, he also made three trips to South America and began to draw comparisons between the populations. He shares his thoughts in this work, published in 1868. Written for children and intended as a follow-up to his Life amongst the Indians (1861), the book is a mixture of legend, history, folklore and anecdotes of personal experience. Sometimes regarded as a pioneer of American anthropology, Catlin also outlines his ethnographical theories in the last few chapters.

Although he is best known for his paintings of Native Americans, George Catlin (1796 1872) also wrote books about his experiences among the indigenous peoples of the United States. During the 1830s he travelled widely in the western frontier regions with the aim of documenting the vanishing cultures of the Indians, and managed to meet 48 groups. This was a critical time for Native Americans, as US government policies were forcing many tribes off their ancestral land and onto reservations west of the Mississippi River. Catlin's two-volume work, published in 1841, is a compilation of his letters and field notes, and includes over 300 line drawings of people, artefacts and animals. He expresses disgust at the Europeans' treatment of the 'honest and honourable' Indians, who have 'fallen victims to whiskey, the small-pox and the bayonet'. Volume 1 focuses on the Crow, Blackfeet and Mandan peoples in the Great Plains.